An Unclean Strength

Wow, three months already? I am... not good at posting. Or keeping track of time.

Anyway, I'm here to let you know that the sequel to Prayers in Steel is currently available for pre-order, and will release on May 9th. Prayers has seen quite good sales, and some lovely reviews, and I'm working hard to not disappoint when it comes to An Unclean Strength. It's available at all the usual suspects, should you care to place a pre-order.

In other news, the Amra Thetys series has gained a fair few new readers as well, so I have been informed that it would be a good idea for me to let folks know when book 5 might be coming out. I am committed to finishing it this year, but I can't be more specific than that. Oh, if you'd like to read the description, it's up at Goodreads now, though.

Okay, back to work for me. Good talk.

The Skin Walker War

Hello all you beautiful people.

2017 has been a long, hard road, both personally and in general, but it has also been a year marked by firsts. For me, it was the first time I've ever earned a degree, so I can't say 2017 was all bad.

I also want to try something new, writing-wise, and I thought maybe you'd like to join in on that.

I'll be launching a new series soon, as you might already know. But before I put the first book up for sale, I thought I'd allow people to take a look at an uncorrected, advance copy for free:

Now in order to make this manageable for me, I'm going to put in a few guidelines:

• You'll get a pdf copy (also offering kindle and epub files would get pretty hairy for me)
• I can't offer any tech support: the only thing I have going for me, where technology is concerned, is the fact that I have opposable thumbs
• Only Prayers in Steel, the first book, is ready at the moment. The rest will follow. I'll let you know when, don't worry. If things go well, I might do the same deal for the other two books. 
• You're under no obligation to leave reviews, though of course you're welcome to
• You're under no obligation to tell all your friends and family about this awesome new book, but I can't stop you if you choose to
• Let's not upload these to any pirate sites, hmmm-kay?
• If you would like an advance copy, you'll need to email me at mcclungmike@yahoo.com with the subject line GIMME. I'll reply with a pdf attachment of the book
• If you're not subscribed to my newsletter and would like to be, be sure to mention that. 
• If you're not subscribed to my newsletter and don't want to be, there's no need to say anything -- I wouldn't add you without your permission
• I'm gonna put a deadline of Christmas Eve on this, because I hope to have the book available for sale before the new year

...and that's it! 

I hope you and yours have a wonderful holiday season, and meet the new year refreshed and full of hope.

mm

Welcome, December

I am sitting at a coffee shop in Da Nang, Vietnam. It's a gray sky, blustery, with a thin drizzle coming down -- just enough to make the roads slick and put that squinty-eyed frown of distaste on everybody's face. You know the one I mean.

I'm going through revisions for Prayers in Steel (this blog post is my reward for finishing up a chapter that's taken me two and a half days). I'm drinking iced coffee and smoking a cigarette. I tried to quit yesterday, and made everybody hate me, so I'm gonna have to rethink my approach on that one. Cold turkey is hard when you have to be human around humans. I have to quit, one way or another. Just.. not today.

But about those revisions, about that book:

Prayers in Steel was originally conceived as a series of novellas. It was my attempt at serialized fiction. I did publish it, or rather two episodes of it, in an earlier and far different form (Blood Tempered and Weaving Steel, for the curious). The sales were dismal, and the story (as much as I liked and still like it) had problems -- the biggest problems being I've never told a big, multiple point of view story before, and that I was trying to tell an epic story in a sword and sorcery fashion.

You see, sword and sorcery as a sub-genre does not linger; it rushes through the plot all fire and fury and blood. (If you've read my Amra Thetys, series, that's sword and sorcery, tempered with a healthy dose of noir detective sensibilities.) I've been writing this sort of story for years, and so whenever I stop to smell the roses in a story, I feel like I'm cheating.

Epic fantasy is different. Multiple points of view are different.

I am in the process of revising in order to let the reader stop and smell the roses, so to speak. It's really hard, people. When you get into a writing groove, when you develop a style, it takes real effort to do something different and new. I hope, once it's finished, you find the effort worth it, because I really like these characters, and their world. As messed up as they are, and it is.

This will be a trilogy - Prayers in Steel, An Unclean Strength, and Armor of Faith. I'll keep you updated.

A new addition to the Amra Thetys series, among other news

No, it isn't Amra #5 - that'll be out next year. But it is set in Amra's world, and features a character many have said they enjoyed. You might remember Lhiewyn, the grumpy old priest from Trouble's Braids (who also penned the Amra's World appendix). In The Last God, we get three interconnected stories told from his point of view.

It isn't necessary to have read any of the Amra books in order to enjoy The Last God, but if you have read them, this novella-length book may well deepen your enjoyment of the series. It was a lot of fun to write, and I hope you enjoy it if you decide to give it a read. I'll put links to the various outlets at the bottom, if you'd like to purchase.

In other news, the pace of my writing has slowed considerably over the past couple of years, but for a very good reason. I've been working on my bachelor's degree. It's been a long time coming, but better late than never, amiright? I'm happy to announce that I've completed my studies, and will be graduating this December with a Bachelor of Arts. Now I have to decide whether to pursue a master's degree...

Speaking of which, I have decided to focus on just two  things, writing-wise, in 2018: Amra book 5, and the first book in a new series, Prayers in Steel. Once those two are finished, I can think about what comes next. Oh, and the title of the fifth Amra book is The Thief Who Went To War.

I have a little extra Amra news to share: There will be audio books! I've signed with Podium Publishing (the folks who did the audio book for The Martian) and hopefully you'll be able to stick Amra and Holgren in your ears come December. As things get firmed up, I will definitely update.

In other other news, fellow author Steven Kelliher is about to release the third book in his Landkist saga, and to celebrate, he's putting the first two books on sale for 99 cents each, starting November 3rd. I don't know how long he'll be doing this, but if you like old school epic fantasy, you should give 'em a try! Those covers are practically lickable. Here's the link, but check the price before you 1-click, okay? mybook.to/valleyofembers

Well, I think that's me all caught up. How about you? What have you been up to?

Get yer copy of The Last God here (or here or here or):

Amazon US     Amazon UK     Amazon CA     Amazon AU     Amazon DE     Amazon FR

Barnes & Noble     Kobo     iBooks     Scribd     Playster     24 Symbols

A writing career in one graph

Dear Amazon Customer Service representative,

Good day to you. I read with real surprise that readers had noted 'errors' in my text, and was even more surprised when these supposed errors were listed in your email. They are not errors, typographical or otherwise.

Cloudroot vs Cloud root

In the first instance, I wrote 'cloudroot' and your email suggests I should change this to 'cloud root'. Since my novel is fantasy and these vegetables only exists therein, I believe that I (as the author and creator of this imaginary tuber) have the right to decide how they are to be spelled.  But if further evidence of the correctness of cloudroot is required, I have followed the same general guideline that dictates the spelling of 'beetroot' (a real thing that people eat) rather than 'beet root'. The difference is small, but I stand by my right as an inventor of imaginary vegetables to decide whether they will be spelled as compound nouns or not.

Tssked vs Tasked

In this second supposed typo, the character did indeed 'tssk', which is an audible sound of disapproval.made by quickly disengaging the tongue from the roof of the mouth. Perhaps you might recognize it from childhood, when your mother would look at you unhappily after you'd done some small, annoying thing. I certainly do. I can still hear her making that sound through pursed lips, decades later. Regardless, the character did not 'task' anyone to do anything in the sentence in question, which is something completely different as I am sure you will agree. Here, the suggested correction would make the sentence in question literally make no sense.

I am not sure who might have reported these supposed 'errors', nor do I have any interest in finding out. But you might, perhaps, cast a jaundiced eye on any of their future 'helpful' suggestions.

Sincerely,

Michael McClung, cloudroot farmer and reformed tssker.

How not to write a fantasy series

I do things, as a writer, that are not in my best interest.

When you write a series, there should be a clear progression, an arc that bends toward a final conflict in the story's world, without much deviation. When you write a first person point of view series, you should never stray from that point of view, that character. These are not complicated guidelines, nor are they arbitrary. So of course I ignore them.

Is it stubbornness? Contrariness? Self-sabotage? There may be some element of each of these things, but primarily, my answer is no. I'll tell you a secret about the Amra Thetys series: It is at least as much about the eightfold goddess as it is about Amra. This shouldn't be much of a secret to those who've been paying attention, honestly. But in Amra's world, there are very few straight-up villains. She Who Casts Eight Shadows may very well be the ultimate antagonist of the series, but she is no cartoon villain, twirling Her metaphorical mustache just off-stage. She is the prime mover of the entire story, while Amra is the primary lens through which we view it. There is a balance to be struck, in order to tell the story completely. That balance demands certain deviations from your standard fantasy series arc.

I suppose this is a caution to readers – the series I'm writing may not always be the series you are expecting. But I know where it is going, and I know how it will end.

I do things, as a writer, that are not in my best interest. But I do not do things that are not in the best interest of the story. Or, ultimately, the reader.

A review of Graham Austin-King's Faithless

 I'm going to get a little personal with you here, guys. I've been really, incredibly poor for a couple of years now. Virtually everything I earn, after basic necessities, has been going towards getting my degree. Why am I telling you this in a book review? To explain why I don't do book reviews. Put simply, I don't buy books to read for pleasure, nowadays, because that's a luxury I've had to put on hold. No books means no book reviews.

While this kept me sane during the first SPFBO (when you can't read the competition, you can avoid obsessing about whether another's prose is better or worse), it's been a bit of a disappointment since then. I wanted to read everyone's SPFBO books, afterward. And someday I will. After the degree is paid for.

So along comes Graham Austin-King the other day (one of my SPFBO cohort), and he says “Psst, hey kid, wanna read an advance copy of Faithless?” To which I replied “Yup.” And then he said “So let it be written, so let it be done.” (Okay, I might be paraphrasing.) It didn't hurt a bit that Sarah Chorn had edited it. Sarah was, is and will be one of the ten bloggers who judge the SPFBO, if you aren't aware, and while “Trouble's Braids” wasn't one of her favorite books from the competition, her review of it is one of my favorite reviews to this day.

Wow, okay, that's three paragraphs and I still haven't started talking about the book. I should probably do that.

Faithless is a lot of things. It's an exercise in word-building, an exploration of faith and the loss of faith, and perhaps especially, it's a kind of meditation on morality. All of this is experienced through the lens of Wynn, a boy sold by his father to the Temple of the Forgefather to be an “aspirant” – one who might someday become a priest. As Wynn quickly learns, what this really means is he's to be a slave in the mines below the temple. And while there's a real, if pathetically slender, chance of him making it out of the mines and up to the temple, the troubles he would leave behind underground would only be swapped for other, less straightforward dangers in the temple's candle-lit halls. There is a very good reason that the religion of the god of smiths has gone into steep decline, and why the Forgefather turned his face away from his priesthood.

I'm a writer. I can't help but read with a writer's eye. To me, the most striking thing about Faithless is the world building. Graham has created, in Faithless, a meticulous microcosm of a world where the wider, outside world is barely a rumor. There is a claustrophobic, inward-turning flavor to the book that, while uncomfortable, is perfect for the material. The world of Faithless is divided into three parts: The Temple of the Forge Father, the makeshift cavern-town of Aspiration below it, and the mines and caverns below that. And for the first book in a possible series, that's quite enough. Wynn's world is grim, and literally and figuratively dark.

In such a world, it's little wonder that the main character is often faced with terrible choices. It's also not surprising that some of the choices he makes echo the title of the book. In the world Wynn finds himself in, the placing of faith in others is a necessity for survival – but keeping faith others have placed in you means never escaping a hellish existence. Ultimately Wynn is an engaging protagonist because of his flaws, his faithlessness, and his own recognition of them.

So, to sum up, I found Faithless to be an engaging fantasy in an unusual, well-executed secondary world, which is something that I love. I also have a fondness for the exploration of religion in fantasy, which is often glossed over. In Faithless, religion is one of the main themes, and it provides the central mystery and the basis for a creepy and bloody third act. What's not to like?

Many thanks to Graham Austin-King for providing an advance reading copy. I truly enjoyed it. I hope Graham continues the story.

Ye Olde Writing Update

So I've got two projects that I plan to finish by the end of February. Here's where we're at on both of them, and after:

Prayers in Steel

This is a rewrite/expansion of the Blood Tempered novella and its unreleased sequel, Weaving Steel. I'm going back and reworking the terse style and fleshing out secondary characters, as well as giving it a more 'epic' tone. It's sitting at about 48,000 words, and I estimate it'll clock in at roughly 80,000 when it's finished.

The Last God

Four interconnected connected short stories set in the Amra Thetys universe, told from the point of view of Lhiewyn, Sage of Lucernis and Grumpy Old Man. It isn't necessary to have read the Amra series to enjoy this one, but it is meant as a sort of companion piece. For those who have read the Amra books, you'll find an Easter egg or two. Also, I'm writing it in Google Docs, so you can follow along if you'd like. Currently at 7,000 words of an estimated 30,000.

After February

Here's what the calendar looks like: Once the first four are back in my control and out of Ragnarok's, I'll release How To Make A Killing In Kirabor, an Amra prequel novelette. Why not release it now? I don't want people to buy the book and be tempted to purchase the Ragnarok editions. I have no faith that I'll ever see those royalties.

I am of course working on the fifth Amra book. If all goes well, you can look for that one around August or September. I'll update as things get more firm.

I'm also considering whether to revive/continue the Comes the Conqueror series. It was an experiment with serialized fiction. I personally really like the story, but readers weren't interested, possibly because of the serial format.

Finally, there are a crap-load of Amra side story ideas that pop into my head on a regular basis. Two of them continue to pester me as I drift off to sleep.

First, the idea of writing stories/novels about the villains that appear throughout, like Red Hand, and the Sorcerer King, and the Telemarch. They've all got back stories, and we only get to see them at the end. They're all tragic heroes, in their own way, like Oedipus or Hamlet. None of them started off as villains.

Second, there's a lot going on with Theiner/Moc Mien. He's actually worthy of a series of his own.

So… I'm contemplating. I don't know if there's a market big enough for these stories. Not that that's ever stopped me before.

Until next time,

mm

Publishing and self publishing: more straight talk from Uncle Mike

I've got some more things to say. Once again, some of it won't be very popular, but I believe it to be true. Better you hear it from me than find out on your own.

1: Embrace the suck

This is army speak for the inevitability of ending up in a situation that sucks, and the attitude that will see you through it. Complaining, time honored though it may be, will not extricate you from the suck. Pretending you are not in the suck will not extricate you from the suck. Flailing around in a panic will definitely not get your suck-stuck behind out of the suck. What will extricate you from the suck is realizing and admitting that you are mired in suckitude, plotting a course to get away from the suck, and then implementing your plan. This is true whether you are a self publisher or traditionally published.

Wow, I don't think I've written the word 'suck' that many times ever.

2: Talk is cheap

Whether it's a publisher, an agent, or a so-called indie publishing expert that you're listening to, remain skeptical. They are in the business of making money from your books. They will say what you want to hear, and it'll sound really good. Just like your prom date. Yeah, exactly. We all know how that turned out.

The point here: get it in writing, and make sure you understand what it says, and what it means, before you agree to anything. Also remember that money should flow to the author in all traditional publishing scenarios. If you're an indie and money is leaving your bank account, it had better do so for specific reasons with measurable outcomes. For example, a book cover.

3: People love to make excuses

You know what? Crappy things happen to people. They miss deadlines. It's an imperfect world. I get that. But you are not immortal. Your time on this earth is finite. And people who constantly make excuses for failing to live up to agreements are stealing your time.

Scrape them off.

4: Don't be a cheap talker or an excuse maker

You want publishing success, however you define it? You are ultimately responsible for making it happen. Treat others, and especially yourself, with the same respect you want to be given. Don't make excuses that you have no time to write if you just binge-watched Luke Cake or Downton Abbey. Don't throw up your hands and say you don't know where to start if you have access to Google. And don't call yourself a writer if you keep polishing the same 1/3 of a manuscript over and over for months or years.

Yeah, this writing thing is hard. See point 1 above. It's first for a reason – because it will get you through everything else that happens to you along the way.

Give the Suck a big ole hug, and get writing.

An important announcement

Hi folks,

I've got some disheartening news to share with you this time around, I'm afraid. I've decided to take the rights to the Amra Thetys series back from Ragnarok Publications. The reasons are business-related, and boil down to this: I doubt I'll ever actually get paid the royalties due me for sales of the Ragnarok editions of the books. They seem to be in a pretty big mess over there, so I've decided to cut my losses. I wish I didn't think it were necessary.

So what does this mean? Well, for the next 3-4 months, Ragnarok will continue to sell the first four Amra Thetys books. I'd ask you not to buy them, if you haven't already, for the simple reason that my portion of the money you spend on those editions may well never make it to me. If you'd like to show your support, you could purchase the ebook edition of my short story collection on Amazon, or you could check out Ace of Swords, which is a fantasy geared for slightly younger readers. It's available both in print and electronic format.

Wha does this mean for Amra, going forward, you ask? I'll tell ya :) Of course I'm working on Amra 5, never fear. I've also got one Amra novelette pretty much completed that I've been holding back – How to Make a Killing in Kirabor. Once I've gotten the rights back to Amra 1-4 I'll be releasing it.

I'm also currently working on a series of short stories from cranky old Lhiewyn's point of view. I'm doing something different with this one: I'm writing the first draft in Google Docs, which means you can check in on its progress, make comments, point out my awful typing skills and generally kibitz during the whole process if you like. Sort of like watching the guy at the Italian restaurant make your pizza. I love that guy.

If you like/tolerate Facebook, I'm there. It's where writing things get talked about the most.

And that's about it for this newsletter. I do wish I had better news to report, folks, but the main thing is, the stories are still coming, and as I return to self publishing, they will come at a more frequent rate.

Awkward hugs,

mm

November brings the fourth Amra book. October brings an apology.

Yes, it's finally (almost) here.

Little did I know, when I wrote 'the end' at the end of The Thief Who Wasn't There, that it would take nearly a year and a half for it to reach readers. Much changed right around that time -- Trouble's Braids won Mark Lawrence's inaugural SPFBO competition, and I was offered a publishing contract.

Both of these things were good things, of course. But handing over the Amra Thetys series to a publisher has meant delays for the fourth book. This is in some ways quite unfortunate, since Sorrow's Gate ended on what, essentially, was a cliffhanger. When I wrote it that way. I "knew" that the fourth book would be following in short order. And then of course everything changed. Looking back, the title of the fourth Amra book was entirely too prescient.

The upside of the situation is the fact that all the books in the series will now be available in bookstores, world-wide (you should go down to your local bookstore and demand that they stock their shelves with Amra goodness!) There's even the possibility of foreign language editions -- we'll see how that goes.

But let me get to what I really want to talk about today: My apology.

If you're reading this, it most likely means you've got an interest in the Amra Thetys series. And that most likely means you've been waiting for sixteen months to read book four. I'm sorry about that, truly. It was President Truman, I believe, who had the sign on his desk that said "The buck stops here." When it comes to my books, written by me, I feel I have to do the same. There are plenty of reasons the book has been delayed, and each time a new delay came up, I had a choice to make: agree with it and let the process continue, or say 'enough' and pull my books and go back to self-publishing. I made the decision, each time, to accept the delay. I did so each time because I felt, on balance, that the ultimate reward for patience was being able to reach a wider audience. Sometimes adulting is no fun.

There's one more delay, friends.

The release date is supposed to be November 8th (some places it is listed as November 1st). There are good odds that the book will not be released on that day.

I am told that we are not talking about a delay of months, or even one month; but I know that some of you have expressed frustration at the state of affairs. Believe me, I share that frustration.

Traditional publishing suffers from the fact that there is no one person who is both accountable and empowered, Self publishing lets the author make virtually every decision, and grants control, along with the responsibility to deliver a good book on time. Self publishing does not, however, give an author access to brick and mortar bookstores.

On balance, and after a couple of sleepless nights, I decided to accept one last delay. I hope that you will do the same, because I personally feel that this fourth Amra book is the best I've written.

When you finally get the chance to read it, I hope you'll agree.

A little straight talk from Uncle Mike for new self publishers

I've got some things to say. Some of it won't be very popular, but I believe all of it is true. This only applies to fiction writers, and specifically fantasy and science fiction writers. If you don't agree with me, that's okay. I'm still right, though.

• 80% of what's self published isn't worth paying for. A lot of people like to compare the price of an ebook to the price of a cup of coffee. Let me extend the comparison: If my cup of coffee has a hair or a dead fly in it, I'm not going to enjoy it, however delicious it might be otherwise. Even if I get my money back, I've lost time and had an unpleasant experience. A bad book is the same. Be in the 20%. 
• If it's free and you hate it, you shouldn't complain. (because writers are readers, too.) I mean, really. Continuing with the coffee thing: You didn't enjoy it? Toss it out and move on with your day. Or you could be like people who leave one star ratings, and complain to literally the whole world. No, you aren't doing other readers a service and it isn't some noble, self-sacrificing deed; you're expressing your subjective opinion. Also, you look kinda petty.
• Writers are not owed good reviews. Or any reviews for that matter. You write. You publish. After that, what people think or don't think isn't frigging up to you, so stay out of it. Are we still having this conversation in 2016?
• Readers are not very good at spotting great books. They are excellent, however, at knowing what they enjoy and finding more like it. Writers can draw their own conclusions as to what they should do with this nugget.
• Writers are delusional about the quality of their work. Especially young writers, and new writers. You wrote a book. Good for you. Finishing doesn't mean winning, and doesn't automatically come with accolades. Stop being millennial. Shorter: It's probably not that good. Write more. Each one you finish moves you closer to realizing your writing potential.
• No, you DON'T have to pay for editing, covers and formatting. Not if you're willing to learn how to do these things yourself, and are able to pay in time and learning curve what you can't in cash. Other writers will tell you that you "must" pay professionals for these things. They have obviously never been in a situation where that simply wasn't an option. If you try to explain it to them, they'll talk about budgeting and savings plans and prioritizing. They just don't fucking get it. They never will. Ignore them. Do what you can with what you have, and constantly improve.
• It doesn't matter if a book has a beautiful cover, zero typos and impeccable formatting, if it sucks ass. A turd is still a turd, even if it's covered in gold leaf. Write a good story first. Readers will forgive a number of sins if you give them a kick-ass story. You shouldn't forgive yourself for those sins, however, until you've corrected them.
• If you did your cover and editing yourself, it probably sucks. Mine certainly did at first. But I wasn't delusional about it. I knew it, but it was the absolute best I could do at the time. I kept working on my skills. I kept improving. I kept getting better. You will too, if you're serious about it. If not, you'll sink deeper and deeper into the deep, deep ocean trench that is Amazon's algorithm, never to be heard from again.
• Other writers are not your enemies, but they may not be your friends either. Writing is ego-intensive. Some writers will do weird, nasty things to anyone they perceive as competition. Best keep your distance.

Yes, I'm a little grumpy today. But everything above is the honest truth as far as I have seen and experienced. I hope it helps someone.

Oh, look, the beginning of a new series!

A few years ago, my eldest started reading a series of books called Beast Quest. I was very happy he was reading, and fantasy, no less - but one thing bothered the crap out of me: It didn't seem to matter to him what order he read them in. It made no sense - how could he follow the plot if he read book five before he read book three? Or book seventeen before book nine?

Then I actually read a Beast Quest book. He was right. It really didn't matter much at all, since each book was essentially the same book, but with a different Beast to contend with. Each book was about ten thousand words, and profusely if poorly illustrated.

I thought to myself "I could do that in my sleep. Well, not the illustrating part; even kids have standards. But I could write a series for kids like him, and I could do it better in just about every sense."

Well, long story short, I've started the series. No illustrations, apart from a map, but I've made up for it by making each book roughly forty thousand words. Maybe down the road I can get someone interested in illustrating. That would be awesome. And that's also the great thing about self-publishing; when you come to a place where you can improve the book, you don't need anyone's permission. You can just go and do it.

But let's see how this edition fares first.

You can pick up copies in these fine virtual establishments, with more on the way:

Amazon US

Amazon UK

Amazon CA

Amazon OZ

5 years, 100,000 free. Time to change tack.

I started self-publishing in 2011. I've made a little bit of money; nothing approaching minimum wage. But I've also had hiatuses and sabbaticals in the last five years. Still and all, I've had a lot of downloads. Especially free downloads.

Across all channels, I've given away roughly 100,000 ebooks since 2011.

Inarguably, this has resulted in a fair few people finding my work, and going on to purchasing other ebooks I've written.

I'll be generous and say I've had about a 5% conversion rate. Which is actually pretty terrible, if you ask me. I've though long and hard about why the conversion rate is so atrocious. The first and most obvious possible reason is that my writing is godawful. But my ratings simply don't bear that out. Sure, there are those who don't find it their cup of tea; you can't please everyone. But I maintain a consistently good to great average everywhere my books are available, and on Goodreads.

No, I've come to the conclusion that readers interested in free books are primarily interested in the free part, rather than the book part, and when 'free' is replaced with another word, like '$2.99', they quickly lose interest.

So. Starting today, I'll be charging for my work, barring the Comes the Conqueror serial and the works I have on Wattpad.

I've given free five year's worth of a fair shake. Now let's see how paid treats me :)

2016: What to expect, writing-wise, from moi

First off, there are two more covers to reveal in the Amra Thetys reboot, but instead of showing them here, I'll just direct you Ragnarok's Amra Thetys page. Luscious, ain't they?

So in 2016, Book 4 of the Amra Thetys series will be released (The Thief Who Wasn't There), probably sometime around September. The other books will be re-released March-ish? When I know, I'll certainly tell you!

In addition, here's what I've got on my plate, and hope to accomplish in 2016:

I've already started on the fifth book in the Amra Thetys series, but realistically, it won't see publication in 2016 considering book 4's late release. I don't have a title yet, clever or otherwise, unless "The Thief Who Did Something" counts.

I've got two urban fantasies that I'd like to get out of my system, one set in Singapore and the other in Phnom Penh, Cambodia. They share Southeast Asia as a setting, so I might well put one out under a pen name. I'll let the market decide which I should turn into a series, if it comes to that.

I'll be publishing at least two Amra Thetys novelettes, and hopefully more, to fill in the long lag between books 1-3 re-release and book 4's release. The first is called "How To Make A Killing In Kirabor"and is set before Amra met Holgren, when she was still fairly new to Lucernis. The second will likely be a peek into Holgren's past, just to balance things out. Or if the writing gods smile, I might manage to write a little series of interconnected novelettes focusing on Amra's actual thieving exploits.

I've got a short story in the works set after the events of Amra 4, so I'd best say not much about it, other than that it follows the fates of a few minor characters from books 3 and 4. If you liked Keel, you'll probably like this story, though :D

I'm also committed to finishing a very different kind of fantasy tale this year, for personal reasons. It's called "All That Glitters." This one is a lot more intimate, and it goes back to fantasy's fairy tale roots as inspiration rather than sword & sorcery action/adventure. It's bittersweet.

I'm currently cleaning up the mess I made of the Sword Monk 2: Weaving Steel. I'll re-release that one when I am satisfied it won't embarrass me to do so. When I released it originally, I must have been out of my mind. I was definitely sleep deprived and emotionally low, but that's really no excuse. I'm fixing it, and I will prod Amazon to push the updated version to those kind souls who bought it the first time around.


If there's still some free time (ha!) I've got lots of other projects I could be getting on with. I've been threatening for years to write a sequel for Waste Land, my free sci fi story that does so well at the iBookstore. I've made several stabs at it, but haven't been satisfied. It's a difficult story. Maybe it just hasn't fully germinated in my subconscious yet.

And that, as they say, is enough to be getting on with for 2016.

Cover reveal #2: The NEW Thief Who Spat in Luck's Good Eye

Behold! (that's me trying to make an eye joke)

The second Shawn King cover for the series re-release. When I first saw the covers I told him they were so good I wanted to eat them. His response was, paraphrased, 'I don't approve, but you do you.'

Cover Reveal #1: The NEW Thief Who Pulled on Trouble's Braids

So as you folks know, the Amra Thetys series has been picked up by Ragnarok Publications and will be re-released this year. It'll be available to bookstores and libraries and suchlike, even!

As part of this new chapter in the life of the series, the books have gotten a new cover treatment, thanks to Shawn King, cover designer extraordinaire!

Here is the new cover for "Trouble's Braids" just to give you a taste :)

Hard post

There may be a few of these over the next few weeks. We'll see.

This one has to do with Sword Monk #2 - Weaving Steel, which was recently released on Amazon.

Frankly, I think it sucks, so I'm pulling it.

Longer form is like this: I got in a rush to complete the instalment before the preorder was due to go live and released a book I'm not proud of. I should have delayed it.

For those who bought it, I apologize. When it's up to a standard that is acceptable, I will post a link to a free copy here on the blog alongside SM #1.

Sorry guys. Won't happen again. I'd rather people were unhappy that they had to wait for something good than disappoint.

Genre and same-old same-old: random pondering

Occasionally I see reviews (not my own yet) that say something to the effect of "while this story doesn't bring anything new to the genre..." and it always gets me to thinking. Is it the default opinion out there of reviewers that a genre story should always be pushing boundaries? And if so, when did that happen? I sort of understand the mentality when it comes to sci fi. I mean, really the whole genre is about pushing boundaries, or at least can be legitimately be seen in that light. But for fantasy,  I've never seen the reinvention of the genre as a critical function of the writers of said genre. And yet, change, carefully applied, can be a breath of fresh air in a stale genre.

Tropes vs cliches

Now to be sure, I'm not talking about cliche'd writing being okay. I'm personally sick of farm boys who are destined to blah blah, at least in adult fiction (juvenile fiction is another matter. Those kinds of stories are important to young readers, in that starting with someone they have a chance of identifying with hooks them as lifelong readers. But even juvenile fantasy could use some diversifying). I'm not saying no one should write that kind of story anymore, but I am saying it's such a tired trope that it has become a cliche. And when a trope becomes a cliche, the writer is almost obligated to bring a twist to it so that it has new life for the reader.

But fantasy tropes, especially in sub-genres, aren't something that can be dispensed with or in my opinion even messed with over-much, else you risk writing something that's missing what the reader came to the book for in the first place. You have to respect what came before and change only what is necessary to tell your story, the story that only you can write.

(I'm gonna talk about my own writing now for a minute, simply because I know it best)

Take Amra Thetys, for example. I love Sword & Sorcery. But I wanted to avoid many of the tropes that had become cliches. The two main characters of the series do not sling swords. They are not barbarians. They do not delight in battle. One is a female thief and the other is a mage who doesn't particularly like magic. And yet their adventures, even if I do say so myself, are often every bit as insanely gory and over the top weird as anything Conan or Fafhrd and the Mouser got up to.

Or my new series, the Sword Monk. Here we have a main character whose skill with a sword borders on caricature, but what defines him is his wrestling with his faith. We also have an antagonist who starts, at least notionally, as a damsel in distress, but who has taken the idea of empowerment so much to heart that she verges on becoming a monster. And yet this series is even more true to its pulp S&S roots than Amra Thetys.

I suppose my point is this: Sometimes there is no reason to change what works. I would be ecstatic to read a newly discovered Conan story. But sometimes it's awesome to read things with a new spin.

And sometimes it's not what you add to a genre story, but what you (carefully) cut away that makes for a good read.