Previously I listed out how many sales
I would need to make at different price points in order to make it to
minimum wage money as a writer. And that was instructive and all, but
sales are not something that are easily corraled. Like cats, they
come when they feel like it, an there is only so much you can do to
coerce- er, influence sales to come your way.
With 2012 all over but the crying, it's
time to consider what to do about 2013, writing-wise.
The accounting department* has informed
me that in the last quarter of 2012, my sales rose to 10.5% of
minimum wage- the closest I've so far come to that lofty goal. My
monkey brain immediately siezed on this nearly round number and
informed me that this means I will need to write and release the same
amount of material in 2013 as I did in 2012 to make it to 21% of MW.
Sounds reasonable. If I can double my output in 2013, then I should
be making 31.5% of MW, and so on.
But here's the thing: not all of my
titles have been particularly successful. Short stories in particular
have not sold for me. When they're free, they get downloaded, which
might well lead to follow-on sales, but even at the low, low price of
99 cents (you can't actually price them lower than that, folks; the
retailers won't let you) they just sort of lie there, gasping for
air.
So, lesson for 2013: don't bother
releasing shorts unless they're for free, or as a sequel to a
successful free short. If you're giving 'em away for name recognition/exposure, make sure they're awesome, and tie them into a
short story collection via an author's note at the end of the short
story. Which leads me to short story collections, oddly enough.
They also don't sell all that well.
Better than single short stories, though, and you can charge a little
higher for them. So if you must write shorts, gather them up in a
collection, put one or two out there for free, and point the reader
of the free to the collection.
Novels. They're a lot of work. They're
also what people are looking for. Learn to write them faster. Don't
sacrifice quality, but don't whine that they're taking forever if
you're wasting time having a True Blood marathon instead of writing.
I've got one that I have to finish –
the third in the Amra series. Fantasy series don't take off, really,
unless they're a trilogy at a minimum. So once I've got the third
Amra book out the door, I can assess whether there's any monetary
reason to continue with that series. Personal reasons are something
else.
Nonfiction. A consistent seller for me
is the reading instruction series I started. I will likely continue
to release titles in this series because I (more or less) enjoy it,
it's a good mental break from writing adult fiction, and each project
is limited enough that completing them isn't too much of a hassel.
And for 2013 I'll be experimenting with
a new story format, the serial.
I'll be honest- I'm not all that fond
of serials, as a reader. Too many writers use the serial format
(badly in terms of structure) in order to extract more money from the
reader. They take a novel-length work and chop it up into pieces in
order to generate more sales. But a serial has its own structure
that's distinctly different in important ways from a novel. In 2013,
I'm going to try to write a proper serial (as I see them). Two,
actually, with distinctly different structures, as I experiment with
the serial format.
So. 2013: 1 novel, 1-2 reading instruction books, a short story collection, and an experiment or two with serial format fiction. That's my minimum, writing gods willing. I think that I can hit 30% of minimum wge this year if I do that. I'll keep you posted.
*Right next to the monkey brain department
*Right next to the monkey brain department
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